Plot Twist!

The plot twist editorial query

From time to time, world events occur that make fiction editors look at each other and say, “We can never again tell our authors their plot events are implausible!”

And I smile along with everyone else. But of course it’s not true. “It really happened” has never been a measure of whether a particular event is plausible in a novel.

Even if an author is basing a novel on true-life events, readers still expect to see that plot events follow the laws of cause-and-effect, that significant plot twists are foreshadowed and don’t just drop out of nowhere, and that characters have goals that drive plot events.

It doesn’t matter if at the eleventh hour the author bought a winning lottery ticket and saved their house from foreclosure. Readers aren’t going to buy that happening in a novel – and they’re not going to consider it a satisfactory resolution to a novel.

editing for plot and story structure

A plot event has to seem true, as if it could happen, given the story world, the characters, and the theme.

There is life and then there is story. They are two different things. We want story to reflect or illuminate life in some way but story does not and should not imitate life, or we would all wander off by page thirty to find something good to read.

So, rest assured: no matter what happens in the world, you haven’t written your last editorial query suggesting the author rethink the plausibilty of a plot event!


Other Helpful Content

  • Understanding Reader Expectations & Genres

    One key to identifying DE problems is understanding reader expectations, and reader expectations are closely tied to genre. What Are Reader Expectations? When I read a romance, I expect it to end happily ever after. I don’t care if you have a great idea for a heart-breaking ending. I don’t want a heartbreaking ending. I

    Read more…

  • Dealing with Imposter Syndrome and Related Problems

    Newer editors often tell me something along the lines of “I feel like I have Imposter Syndrome. I don’t feel confident about approaching publishers or other potential clients.” So, clear your schedule and make a cup of tea because I want to talk about these challenges, and I have a lot to say! You’ve probably

    Read more…

  • Setting problems: lack of concrete locations

    Writers often use setting like a painted backdrop to their stories, rather than as an integral element of their storytelling. As developmental editors, we can help them make the setting come to life. If we think of Wuthering Heights, we think of the Yorkshire moors. When we think of Moby Dick, it’s a whaler on

    Read more…

Join the Club!

how to become an editor

New to story editing? Begin at the beginning.

Similar Posts