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Showing Character through Testing

Authors often create characters who are perfectly suited for the story that is being told. The brilliant detective is put to the task of finding out whodunnit, the brilliant surgeon must operate on the life-threatening tumor, the brilliant commando must rescue the hostage. If these characters have suitable antagonists to oppose them, then enough conflict…
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Coaching Opportunities with Potential Clients

I think of coaching as anything that helps a writer write their book, improve their book, sell their book, or otherwise advance their writing career but which isn’t a straightforward edit on a complete manuscript. In other words, if I help an author write a query letter, or brainstorm solutions to plot problems, or review…
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Coaching and Editing Discovery Drafts

Discovery drafts are typically the first draft of a novel that an author uses to explore the story they’re writing, whether the story has been prompted by a situation, a setting, a character, or a theme. The discovery draft typically includes stops and starts, directions the story could take but doesn’t, characters that fade in…
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10 Things a Developmental Editor Looks for in an Edit

A fiction editor looks for specific concerns in a manuscript. The following checklist can help you understand the basic story problems you may encounter as developmental editor. #1 Is this a type of genre fiction? If so, does it conform to genre requirements/expectations? If it is genre fiction but does not conform to expectations, is…
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The Connection Between Character and Plot

As editors, we need to understand the connection between character and plot and how to support authors in developing this relationship effectively. Causes of Implausible Plot Events A common problem you’ll come across when editing fiction is a situation where characters are shoved around like chess pieces. Margie the protagonist winds up slapping her best…
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