How long does querying take?
Writer Question: Exactly how long does querying take?
I’m often asked how long it takes to hear back from editors or agents. Maybe a writer has an agent who has submitted a proposal or a manuscript, and she’s biting her nails waiting to hear back, or she’s submitted the full manuscript of her novel at an agent’s request and is wondering how long it will take to hear a yes or no.
I understand how hard it is to be patient; I am as neurotic as the next writer. What writers want me to tell them is “six days.” Or forty-three, or nineteen, or even one-hundred-seventy-six, as long as I promise they will hear back by then.
It’s the uncertainty they object to, not the elapsed time. Which is why no one ever wants to hear my answer, which is: “It depends.”
It depends…
Asking, “How long does it take to hear from an editor/agent?” is like asking, “How long is a piece of string?” I can tell you that no usually comes faster than yes, so be careful what you wish for.
I can tell you that editors with more seniority generally respond faster because they have to do less hoop-jumping to make an offer and are more likely to know if something is going to get past the acquisitions committee.
By the same token, some agents and agencies have more clout, and editors will respond more quickly to submissions from them.
Projects that have huge commercial appeal will go faster than projects of less commercial appeal or with non-celebrity writers.
Other than that, it depends on how strongly the editor feels about the project, how much buy-in she needs to get from others to make it fly, how full her list is (not to mention her workload), who’s on vacation, and even how well another book on a similar topic is doing.
You may get an offer in a few days or weeks (I’ve had that happen). You may get an offer after many months (Ditto). You may never get an offer. You may never even hear back.
So instead of worrying about “when,” accept that it will be seven months from now, be pleasantly surprised when it isn’t, and get to work on your next project.
Other Helpful Content
-
When to Give Up
It’s time for my annual rebuttal against the clouded thinking that you hear in clichés like, “Many people quit just before they’re about to succeed!” When I read or hear something like this, I always wonder, “How on earth would you know that?” Starting and building a freelance editing business is hard. It requires a
-
Helping Authors Bring a Setting Alive
Authors often visualize their stories as if they were movies unreeling in front of them. This is unfortunate because it often means they focus heavily on the visual when the world of narrative offers so much more! Namely, the other four senses—sound, smell, taste, and touch. Using the FIVE Senses: Setting of a Novel Sight
-
Understanding Reader Expectations & Genres
One key to identifying DE problems is understanding reader expectations, and reader expectations are closely tied to genre. What Are Reader Expectations? When I read a romance, I expect it to end happily ever after. I don’t care if you have a great idea for a heart-breaking ending. I don’t want a heartbreaking ending. I
