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How to Stand Out as an Editor

Newer editors are often unsure of how to stand out from other editors. So they’ll do things that are the equivalent of wearing a fedora or a monocle. “Notice me!” these efforts say. But there’s a better way to stand out.

My #1 Tip to Stand Out as an Editor


The very best way to get people to notice you is to just be yourself. The trick is to be yourself very intensely.

Embrace your Dad jokes with your whole heart. Emphasize that you have ADHD so you understand what it’s like to try to accomplish something big while dealing with challenges. Talk about your nerdy affection for the Oxford comma and for everything to do with Star Trek.

Maybe you’re very low-key. Let that be a strength: “I’m not the kind of editor who is going to impose my preferences and peeves all over your manuscript.”

I have the sense of humor of a twelve-year-old. So when I started Club Ed, I did so with the idea that we didn’t have to talk about editing in hushed, respectful tones nor did we need to approach it with fussy pedantry. We could have a little fun while we were at it.

Some people hate this approach and cannot find the exit soon enough. That’s fair! I’m not trying to appeal to everyone on earth.

And you don’t have to, either. You just have to find some other people who like what you have to offer in the way you have to offer it. And the best way to connect with those people is to show them who you are. This is the most memorable and effective way I’ve found to stand out as an editor.


Tips for Editors & Writers

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  • Don’t feel overwhelmed by “competition”

    As freelancers, we have a tendency to think that we’re in competition with all other editors and (especially if you’re active on social media and see how many other editors there are in the world) that can feel overwhelming. But we’re actually not in competition with everyone else who calls themselves an editor. Case in…

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  • Effective Scene Construction

    A common structural problem you’ll encounter in fiction development is ineffective scene construction: A good scene includes the meat of a plot event – whether that event is an emotional discussion over coffee, a decision to take a certain action, or a foot chase across town – but not a whole lot more. Problems with…

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