How to Stand Out as an Editor
Newer editors are often unsure of how to stand out from other editors. So they’ll do things that are the equivalent of wearing a fedora or a monocle. “Notice me!” these efforts say. But there’s a better way to stand out.
My #1 Tip to Stand Out as an Editor
The very best way to get people to notice you is to just be yourself. The trick is to be yourself very intensely.
Embrace your Dad jokes with your whole heart. Emphasize that you have ADHD so you understand what it’s like to try to accomplish something big while dealing with challenges. Talk about your nerdy affection for the Oxford comma and for everything to do with Star Trek.
Maybe you’re very low-key. Let that be a strength: “I’m not the kind of editor who is going to impose my preferences and peeves all over your manuscript.”
I have the sense of humor of a twelve-year-old. So when I started Club Ed, I did so with the idea that we didn’t have to talk about editing in hushed, respectful tones nor did we need to approach it with fussy pedantry. We could have a little fun while we were at it.
Some people hate this approach and cannot find the exit soon enough. That’s fair! I’m not trying to appeal to everyone on earth.
And you don’t have to, either. You just have to find some other people who like what you have to offer in the way you have to offer it. And the best way to connect with those people is to show them who you are. This is the most memorable and effective way I’ve found to stand out as an editor.
Tips for Editors & Writers
-
Showing Character through Testing
Authors often create characters who are perfectly suited for the story that is being told. The brilliant detective is put to the task of finding out whodunnit, the brilliant surgeon must operate on the life-threatening tumor, the brilliant commando must rescue the hostage. If these characters have suitable antagonists to oppose them, then enough conflict
-
Exploring versus Judging Character
One of the curious conundrums I’ve experienced as a book editor is encountering characters that the author clearly has contempt for but expects readers to be interested in engaging with. Contempt is as poisonous in writing as it is in relationships. The goal of the author should not be to judge character but to explore
