Authors are sometimes worried about getting feedback on their work because they’re afraid it will be “ripped apart.” It’s perfectly understandable to feel a little nervous about feedback – after all, you want your work to be perfect. You want other people to love it the way you do. But you know there are probably…
What do you do if an author has a manuscript isn’t ready for development—where you can’t find the plot or the ms has other really significant problems? A developmental edit is for a manuscript that generally contains a clear plot, at least somewhat developed characters, in a setting that makes sense. You typically wouldn’t perform…
One of the challenges in taking writing and publishing advice from other authors is that they usually know only what works/worked for them. An author who has only been publishing for a little while has a very limited experience to draw from. I understand why published authors want to give advice despite not having expertise…
A question I’m often asked is, “Authors can be confused by what kind of editing their manuscript needs. How do you handle that? Whenever an author reaches out to me, I ask them a bit about their past experience – have they published before, and if so, did they have a traditional publisher or did…
In any profession, having contacts can help you succeed. Yet most of us don’t start off knowing anyone who can help us get published. I’ve often said, “It isn’t who you know, it’s who you get to know.” Successful writers read books and blogs, join writers’ groups, attend conferences, and somehow eventually connect with the…
When I talk about the author’s work of addressing areas of concern, I call it revision to distinguish it from what an editor does, which is editing. Most people writing and speaking on the subject don’t distinguish between the two but since I write a lot about the interaction between the editorial process and the authorial process, I…
I’ve heard developmental editors talk about “sensing” that a story isn’t working, even going so far to say that “sensing” problems is their job. And sensing that something is going wrong is a useful skill for a developmental editor to have—all of us do, to one degree or another. But developmental editing isn’t about “sensing”…
It’s important for editors to recognize that authors have different stages of ability: Most of our author clients are at Stage 1, 2, or 3, and how we shape the edit will depend on which it is. If we expect an author at Stage 1 to be able to spot their own errors, we aren’t…
Editors with some experience often come to me with concerns about sustaining their business. They’re usually in a particular niche, such as copyediting mystery fiction, and they’ve stalled in some way – they don’t have quite enough clients and they’re not making quite enough money. But we know that niches are a great way to…
I’m on LinkedIn quite a bit because it’s a good place to talk about Club Ed. Sometimes on LI people share stories about why they want to quit their jobs. While I am well accustomed to bad boss behavior, this recent one made my jaw drop: “I’m at a funeral and my boss is texting…