We often talk about telling stories, but how to tell a story is something of a misnomer for novelists. A novelist needs to show the story. Undoubtedly you’ve heard the old advice, “Show, don’t tell.” And you may have heard that yes, indeed, you can and should sometimes tell. For example, you don’t need to…
If you’re struggling with your story, one of the best ways to get started is to use a common (that is, frequently used) plot structure. If you start writing with an idea of the kinds of story events that have to happen in your story, it is easier to focus on the other aspects of…
In discussing the editing of fiction, we’re trying to make explicit what narrative competence is—that is, what makes a story a good story. At the most basic is the plot. And plot, at its most basic, is simply the story of change. There is an initial situation, some sort of challenge or reversal to that…
One of the ways I beat procrastination is to play little games with myself. For example, “I’m going to fill up this notebook before my flight leaves tomorrow.” I’ve also counted things down on Facebook: “Going to write 1,000 words this afternoon.” Then “500 down, 500 to go.” Then 250, 50, and none. I have…
Many freelance editors are interested in getting editorial work from book publishers and packagers, and often they’re so focused on landing the client that they don’t think about setting expectations for their work. Then the first project is assigned, and they have less time than they normally have with indie authors, they’re asked to sit…
When you’re a writer, everything is material. This makes us sort of strange and awful, if we’re being honest. I remember one of the first things I thought after my daughter was diagnosed with horrific, debilitating disease was, Well, this is going to make a quite a story someday. I flinch whenever I think about…
Recently, someone asked me a “How do I get my first client?” question, which is one of those questions that can take three hundred pages to answer. But I did want to provide an overview answer to this question. First, I want to distinguish between a beginning editor who has no idea what they’re doing…
Authors are sometimes worried about getting feedback on their work because they’re afraid it will be “ripped apart.” It’s perfectly understandable to feel a little nervous about feedback – after all, you want your work to be perfect. You want other people to love it the way you do. But you know there are probably…
What do you do if an author has a manuscript isn’t ready for development—where you can’t find the plot or the ms has other really significant problems? A developmental edit is for a manuscript that generally contains a clear plot, at least somewhat developed characters, in a setting that makes sense. You typically wouldn’t perform…
One of the challenges in taking writing and publishing advice from other authors is that they usually know only what works/worked for them. An author who has only been publishing for a little while has a very limited experience to draw from. I understand why published authors want to give advice despite not having expertise…