One of the first things I teach newer developmental/story editors is to focus on the big picture. That means looking for problems with a novel manuscript’s plot, character development, and setting. It means noticing perspective/point-of-view problems, flabby scenes, unnecessary exposition. It does not mean pointing out every unnecessary adverb or overused word. For people who…
One of the challenges older workers face when shifting into a second act career is time pressure. People in their forties, fifties, and sixties can have children or grandchildren at home, parents or other loved ones who need help, a regular full-time job, and multiple obligations, including doing the laundry at least now and then….
When I teach developmental editing classes, I get a lot of students transitioning from other careers. They’re often lawyers, social workers, and teachers – though I’ve also taught actors, accountants, and engineers, among others. What they have in common is that they love stories and want to explore whether book editing (story editing/developmental editing) is…
You probably landed here because you like books. Maybe you’ve always wanted to be an editor or maybe you think it would be a good side gig to get into. But you don’t know exactly what being a good editor means or how one would go about acquiring the necessary skills to do it well….
Book development editors don’t read books the way readers do. To sharpen your developmental editing skills, learn to read like an editor does (instead of the way a reader does). When you’re a reader, you enter the author’s world. You willingly suspend your disbelief in order to experience this world. That doesn’t mean you won’t…
One of the most common questions I’m asked is how to get clients, so what follows is my basic theory of how not to starve to death as a freelancer. If you have little or no actual developmental editing experience, then doing a few projects in exchange for something like a testimonial or whatever might…
As I mentioned in my previous post, I’ve broken my list of red flags into two. Here’s the second list: The Disappearing or Disorganized Client Clients who wander off during the early stages of discussing their project are likely to wander off during the part of the project where they’re supposed to do some work…
Since we want to weed out potentially troublesome clients before they make our lives miserable, it’s a good idea to have some weed-killing processes in place. For example, requiring a nonrefundable deposit means that a client is more committed to the edit (and paying the final invoice) than if you don’t require any upfront investment….
Recently I was looking for an apartment to rent – I’m moving back to LA from Palm Springs – and found a possibility on one of the rental sites (you know, like Apartment.com or Zillow). The property described sounded like what I was looking for and the rent was about right for the age of…
I often encourage freelance editors to work with corporate clients, such as book publishers and packagers, in order to provide a more stable workflow and better-paying work. Indie authors may be great fun to work with, but one author typically won’t come to you ten or fifteen times a year with more work, the way…