Building Your Editing Business
Building your editing business requires finding clients. As a newer editor, this can be challenging, so where do you start? I suggest you begin by asking yourself a few questions.
Building Your Editing Business: Decide Who You Are as an Editor
- What is your purpose? Mine is to help women find a way to tell their stories.
- What kinds of clients does your purpose suggest you should target? I target women who are transitioning from nonfiction to fiction or creative nonfiction.
- What do you want from your business? I want to work on interesting manuscripts written by professionals who can pay professional fees.
- What kinds of clients does your “what I want from my business” answer suggest you should target? For me, people who are already professionals and who see the value of editorial help.
- What is your area of specialization, and why? I specialize in teaching women nonfiction writers to write romance because this is where my skills and experience lie, and it is what people ask me to do.
Inventory What You Already Know
- What is your overall business goal?
- What are some overall marketing strategies you could use to get clients?
- What are some skills and experiences you have that might help potential clients solve a problem?
- What are five or ten things you can do in the next two months to gain additional editing experience?
- Who are some people you could get to know who could help you build your business?
- What types of services are you offering/planning to offer potential clients?
Put It Together
- Who are your target clients, and where are they likely to be found?
- What is one thing you can do this week to network with colleagues and/or potential clients?
- Identify an indirect way of finding clients (such as teaching a class) that appeals to you. What are some steps you need to take to get the ball rolling?
Tips for Editors & Writers
-
Beta Reading as Training for Developmental Editing
Many self-publishing authors look for beta readers to give them perspective on their novels before they go to a professional editor for further help. An author doesn’t need a developmental editor to say the whole storyline is implausible and they yawned from beginning to end. Any reader of fiction can probably relay that information. Doing…
-
How to Beta Read and Critique
Two ways newer editors get experience with developmental editing/story editing is through beta reading and critique partnering. Beta reading is giving a basic reader reaction to someone’s manuscript. Critique partners are writers who trade their manuscripts and give each other feedback. Basic Rules for Beta Reading and Critiquing 1. All feedback should be constructive and…
-
Helping Clients Understand the Differences Between Beta Reading and Developmental Editing
Authors often use beta readers to give them feedback on their work and I think this can be a great way for them to get a sense of a reader’s experience of the novel. But unpaid beta readers often flake out and never provide feedback. This is the number one complaint I hear from authors…
