I often encourage freelance editors to work with corporate clients, such as book publishers and packagers, in order to provide a more stable workflow and better-paying work. Indie authors may be great fun to work with, but one author typically won’t come to you ten or fifteen times a year with more work, the way…
A couple of weeks ago, I turned off notifications for one of my accounts. Then the other day I wondered why I wasn’t getting notifications. Was no one responding? I couldn’t figure it out. Then I investigated and I realized that people were responding, I just wasn’t getting notifications because I had turned the notifications…
A common structural problem you’ll encounter in fiction development is ineffective scene construction: scenes that start before they should, drag on far too long, and don’t establish key information right away. A good scene includes the meat of a plot event – whether that event is an emotional discussion over coffee, a decision to take…
One of the curious conundrums I’ve experienced as a book editor is encountering characters that the author clearly has contempt for but expects readers to be interested in engaging with. Contempt is as poisonous in writing as it is in relationships. The goal of the author should not be to judge character but to explore…
Authors often create characters who are perfectly suited for the story that is being told. The brilliant detective is put to the task of finding out whodunnit, the brilliant surgeon must operate on the life-threatening tumor, the brilliant commando must rescue the hostage. If these characters have suitable antagonists to oppose them, then enough conflict…
I’ve worked with a number of book publisher and book packager clients over the years and I’ve found a few basic rules help ensure that I complete each project satisfactorily. You may find them helpful, too. #1. Understand your role. If an author has asked whether the plot entertains you and you tell them they…
Editors often want to freelance for book publishers and packagers as a way to have reliable clients who provide ongoing work. But there are some differences in working directly for the client (as with an indie author) and working for a publisher. When I’m doing a developmental edit for a book publisher, I usually have…
As a teacher of developmental editing, I want students to get comfortable with being able to advise big solutions to big problems. Often this is the best way to truly help an author produce superior work. It is also an invaluable method for stepping back to see the big picture (a poorly constructed conflict, for…
Club Ed readers have overwhelmingly asked for more instructor-led classes, so 2021 will include a whole bunch of offerings. The catalog through May 2021 has been added here and you can also see it below. Instructor-led classes for new and aspiring developmental editors Instructor-led classes are held within a specified time period. They feature weekly…
NEW! Starts January 4, 2021 $50 4 weeks (through January 31), instructor-led This class is intended for editors, new and experienced, who are interested in following along as an experienced editor performs a developmental edit on a complete fiction manuscript. It is a reading-intensive class and the more you participate in the online discussions, the…