Readers like to see character change, even if the change is small, and even if the change is negative. Often a character will be just the same at the start of the story as at the finish, and generally this is less satisfying to the reader than when a character is confronted with the need…
To help your author develop strong GMC, try to identify the goal and motivation for each important character throughout the arc of the story. You’ll often find that goal-motivation is clear for only some of the characters or for only part of the story. Conflict is usually sharpest and most compelling when all of the…
In discussing the editing of fiction, we’re trying to make explicit what narrative competence is—that is, what makes a story a good story. At the most basic is the plot. And plot, at its most basic, is simply the story of change. There is an initial situation, some sort of challenge or reversal to that…