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Novels Aren’t Movies – Book Editing for Dramatic Omniscience

Omniscience for writers. Writers sometimes understand omniscience only as it is shown in television and movies, which is dramatic omniscience. It is not narrative omniscience. Dramatic omniscience really, really sucks when applied to narrative.  That’s because dramatic omniscience lingers on the surface of things. It cannot penetrate below the surface unless some clunky device like…

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How to create a more vivid setting

Plot, character, and setting are the trifecta of novel writing. They all have to work together or the story doesn’t work at all. You know the old freelancer saying, “You can have it fast, cheap, or good, pick two?” Same with plot, characterization, and setting. Authors who are terrific with plot and setting usually suck…

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The connection between plot and character

A common problem I often come across when editing fiction is a situation where characters are shoved around the story like chess pieces. Margie the protagonist winds up slapping her best friend not because Margie would ever slap her best friend but because the plot requires the best friend to be slapped. Authors often commiserate…

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How to tell an emotionally compelling story

I recently read The Story Paradox by Jonathan Gottschall, which is all about the dangers of storytelling. If you’re interested in learning how stories work, you’ll want to set aside some time to read this book. I wanted to talk about a point he makes early in the book, which is that stories where the…

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Packing emotion into tight spaces

When I’m writing, I rarely listen to music because the words of the lyrics interfere with my words. If I need to drown out the kids across the street, I will listen to white noise or an instrumental station on Pandora. Sometimes, though, if I’m doing something like giving feedback to students, where the lyrics…