Using other people’s characters to inspire you
Writers’ Topic: Character Inspiration
Can writers get character inspiration from other writers? Using an existing character can be a good jumping off point to a new character.
A student once asked, “I often find B characters in novels more interesting than the leads, yet they’re never fully developed (hence the B aspect). I wonder if using another novelist’s B characters as a jumping off point for a new character or story would ever produce any ideas worth exploring?”
As writers, we can find inspiration all around us, and other people’s fictional worlds and characters are a good example. The key point here is that you need to create a new character.
Of course, you can’t use another writer’s characters or worlds, as that is copyright infringement, unless the novel is out of copyright protection (which is why we have all those Jane Austen mashups).
Authors keep the right to produce derivative works (that is, other stories based on their characters and worlds) and although fan fiction is a popular sport, for someone seriously pursuing a writing career, you have to create your own characters and worlds unless you want to end up on the wrong end of a subpoena.
But you can certainly be inspired by other people’s stories and characters! In fact, I once wrote an entire novel that was was sparked by seeing Faramir in the Lord of the Rings trilogy. He’s a minor character – a B character – but there was something about his situation that struck me as having a lot of potential for a story.
The character I ended up writing had almost nothing in common with Faramir, but the novel wouldn’t even exist if I hadn’t seen Faramir and thought, “Hmm.”
No matter where you dig up character inspiration, it’s essential is to make the character/story your own, even if the spark comes from another person’s character.
Other Helpful Content
Focusing on the Big Picture
One of the first things I teach newer developmental/story editors is to focus on the big picture. That means looking for problems with a novel manuscript’s plot, character development, and setting. It means noticing perspective/point-of-view problems, flabby scenes, unnecessary exposition. It does not mean pointing out every unnecessary adverb or overused word. Don’t Overwhelm the…
Unpacking Your Assumptions about Fiction
If you’ve ever taken a class from me, you know that I have a pathological hatred of using questions in editorial queries. By this I mean asking questions like, “What is Joe’s motivation?” where you are, or think you are, asking the author to address the problem of Joe’s lack of motivation. Use statements instead…
What Is the Difference Between Line Editing and Copyediting?
Line editing (LE) and copyediting (CE) are related skills, as they both focus on the sentence level. Obviously there is significant overlap between the two skills. Basic Definition of Copyediting But copyediting is about ensuring consistency across a manuscript, correcting egregious errors, making sure the manuscript conforms to a specific style guide, and otherwise smoothing…
