How fast can you edit?
A burning question for editors – how fast can you edit?
There is a limit to how fast you can edit.
Editors often ask me how they can edit faster. Some even boast that they’ve found techniques that allow them to go 15% faster! Or 25% faster!
And . . . okay. I get it; the faster you edit, the more editing you can do and therefore the more money you can make.

When you’re a newer editor, it definitely takes you longer than when you’re more experienced. After all my years of working with authors, I can spot head-hopping immediately; a newer editor may have to consciously scan for it. So I understand the desire to get better, and therefore faster, at the work.
And certainly I’m a big fan of automating the parts of the process that a macro or specialized software can do more consistently and faster than a person can. I mean, I love find + replace for hunting down extra spaces after periods and between words. If I had to find all those myself it would take ages and I’d probably miss a few.
But. You are not a machine. If a machine can do what you do, then a machine WILL do what you do and you’ll be out of a job.
There is a limit to how fast you can edit (whether developmental editing, line editing, or copyediting) and still do good work. I’m talking about work that requires the knowledge and judgment of a human. Editing takes as long as it takes.
So stop focusing on the question of how fast can you edit.
What we need to do is charge enough to cover how long it takes. That’s hard, so editors often think going faster would be easier. But at some point you’ll hit that wall where you just can’t go faster and still produce good work. Instead of splatting against that wall, I urge you to step back a bit and commit to doing the hard work of charging what you’re worth.
Other Helpful Content
-
Second-Guessing an Edit
I live in Spain, and while I’m working on my Spanish, I’m not yet fluent. The other day, my daughter and I went out to a cafe and ordered drinks and a slice of coconut cake for her. A few minutes later, the server came out and said something that I didn’t quite understand. Then…
-
Work with Good Clients
The other day I finished an edit for a new-to-me publisher client and submitted my first invoice to the company as agreed. I was set up in their accounting system and paid by direct deposit the same day. That’s the sign of a client who cares about their freelancers. And it’s a good reminder that…
-
The Connection Between Plot and Character
In discussing how to edit fiction, we’re trying to make explicit what narrative competence is—that is, what makes a story a good story. At the most basic level is the plot. And plot, at its most basic, is simply the story of change. There is an initial situation, some sort of challenge or reversal to…
Join the Club!
New to story editing? Begin at the beginning.