Line Editing for Parallelism
Line editing for parallelism sometimes requires being a line editor detective—finding the sentence-level issues to take a manuscript to the next level.
Editing Detective: Line Editing for Parallelism
As a line editor, sometimes the problems I catch are obvious (“Roy laghed at the joke”) but sometimes they’re not. Sometimes being a line editor is a little like being a detective, trying to figure out what’s going wrong in a sentence. Those are my favorite kinds of problems.
One of those subtle things that can go wrong at the sentence level and that I have to track down is parallelism. Parallelism, simply put, is the repetition of a grammatical structure: “I came, I saw, I conquered.” Pronoun + verb, pronoun + verb, pronoun + verb. This sentence would not be improved by adding other words: “I came, I looked around at things, then I conquered the place.”
Creating parallelism in a sentence can make an author’s prose sound smoother. Meaning (and even emotion) is created through the repetition of form. The reader sees how the ideas are connected.
Here’s an example of a sentence that is begging for parallelism:
James sat astride his chestnut horse, glaring at the scene of carnage, blood and fire and death.
Using the principle of parallelism we could edit that to:
James sat astride his chestnut horse, glaring at the scene of carnage and blood, fire and death.
Here’s another:
They found Stephen kneeling by the new cairn he’d built, not praying before it as the Sige sometimes prayed to their ancestors, but regarding it, as if deciding whether it were appropriately completed. Not too high and not too elaborate—there was no need to elevate a coward. But it could not be too low and haphazard, to insult a forebear.
This could be:
They found Stephen kneeling by the new cairn he’d built, not praying before it as the Sige sometimes prayed to their ancestors, but regarding it, as if deciding whether it were appropriately completed. Not too high and not too elaborate, to elevate a coward. But not too low and too haphazard, to insult a forebear.
And here’s one that stumped me for a bit because I knew something was wrong but didn’t spot the parallelism problem right away:
Washing my hands at the sink, trying to avoid getting my cast wet, I saw in the mirror that my skin seemed to both sag and stretch: to have sagged into new wrinkles yet stretched tight over bones.
Then I came up with:
Washing my hands at the sink, trying to avoid getting my cast wet, I saw in the mirror that my skin seemed to both sag and stretch: to have sagged into new wrinkles yet to be stretched tight over bones.
But I admit I am still pondering the possibilities of that one!
Practice is the best way to develop your editing detective skills to master line editing for parallelism.
Tips for Editors & Writers
Making Your Offer Clear
There’s a fast-casual restaurant I walk by every day that has a sign in the window: Pick Any 3, Get 1 Free! That sounds clear enough, right? But below the offer, they list what you can pick from: – 1 dinner (grilled chicken, burger, ham-and-cheese sandwich) – 3 large drinks (Coke, Diet Coke, Sprite, Dad’s…
Effective Copyediting
How can I provide effective copyediting to authors? The most effective copyediting must include an improvement and be intended to address an important issue. Sometimes when you’re copyediting a novel, you’re asked to do a medium- or heavy-level copyedit, which means you’ll be doing more than just the basics of ensuring the ms conforms to…
Solving a Common Coaching Problem
In my inbox: “I’ve coached a first time writer from outline to first draft completion. Along the way, I explained concepts like show vs. tell and point of view. Last month, I helped him to draft questions to solicit objective feedback about his story and recommended some beta readers. Now he has lots of feedback…
