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A couple of weeks ago, I turned off notifications for one of my accounts. Then the other day I wondered why I wasn’t getting notifications. Was no one responding? I couldn’t figure it out. Then I investigated and I realized that people were responding, I just wasn’t getting notifications because I had turned the notifications…

Authors are sometimes worried about getting feedback on their work because they’re afraid it will be “ripped apart.” It’s perfectly understandable that they would feel a little nervous about feedback—after all, they want their work to be perfect. They want other people to love it the way they do. But they know there are probably…

Many freelance editors are interested in getting editorial work from book publishers and packagers, and often they’re so focused on landing the client that they don’t think about setting expectations for their work. Then the first project is assigned, and they have less time than they normally have with indie authors, they’re asked to sit…

One of the most common character development problems I come across in developmental editing is the introduction of the cast of thousands. We’ve barely met Harry and Sally when we are also introduced to Bernadette, Jose, Terry, Maximilian, Duane, Lisa, and their children and pets. The reader can barely figure out who any of these…

The other day in a writers’ group I belong to we had a conversation about the novels we’re reading now. And the most common description of what the group members were reading included the word slog: “I’m slogging through TITLE.” “I’m reading TITLE but it’s a slog.” “I’ve slogged through fifty pages of TITLE; does it…

One of the curious conundrums I’ve experienced as a book editor is encountering characters that the author clearly has contempt for but expects readers to be interested in engaging with. Contempt is as poisonous in writing as it is in relationships. The goal of the author should not be to judge character but to explore…