The Concierge (Blog)

In discussing the editing of fiction, we’re trying to make explicit what narrative competence is—that is, what makes a story a good story. At the most basic is the plot. And plot, at its most basic, is simply the story of change. There is an initial situation, some sort of challenge or reversal to that…

Many freelance editors are interested in getting editorial work from book publishers and packagers, and often they’re so focused on landing the client that they don’t think about setting expectations for their work. Then the first project is assigned, and they have less time than they normally have with indie authors, they’re asked to sit…

Recently, someone asked me a “How do I get my first client?” question, which is one of those questions that can take three hundred pages to answer. But I did want to provide an overview answer to this question. First, I want to distinguish between a beginning editor who has no idea what they’re doing…

What do you do if an author has a manuscript isn’t ready for development—where you can’t find the plot or the ms has other really significant problems? A developmental edit is for a manuscript that generally contains a clear plot, at least somewhat developed characters, in a setting that makes sense. You typically wouldn’t perform…

A question I’m often asked is, “Authors can be confused by what kind of editing their manuscript needs. How do you handle that? Whenever an author reaches out to me, I ask them a bit about their past experience – have they published before, and if so, did they have a traditional publisher or did…

In any profession, having contacts can help you succeed. Yet most of us don’t start off knowing anyone who can help us get published. I’ve often said, “It isn’t who you know, it’s who you get to know.” Successful writers read books and blogs, join writers’ groups, attend conferences, and somehow eventually connect with the…

When I talk about the author’s work of addressing areas of concern, I call it revision to distinguish it from what an editor does, which is editing. Most people writing and speaking on the subject don’t distinguish between the two but since I write a lot about the interaction between the editorial process and the authorial process, I…

I’ve heard developmental editors talk about “sensing” that a story isn’t working, even going so far to say that “sensing” problems is their job. And sensing that something is going wrong is a useful skill for a developmental editor to have—all of us do, to one degree or another. But developmental editing isn’t about “sensing”…

It’s important for editors to recognize that authors have different stages of ability: Most of our author clients are at Stage 1, 2, or 3, and how we shape the edit will depend on which it is. If we expect an author at Stage 1 to be able to spot their own errors, we aren’t…