The Concierge (Blog)

“I feel overwhelmed,” editing students tell me from time to time as they learn the craft. Mostly they’re worried that this means they’re not cut out for working as a DE. And sometimes, yes, it’s not a good match for someone’s personality, skills, and abilities. But it’s also perfectly normal to feel overwhelmed. Developmental editing…

It happened again this week: a writer got in touch with me, told me some information about their book, and asked for some guidance about next steps. This is a very common ask, and I have a boilerplate email I use in response. If I got more of these types of emails I might have…

Writers often use setting like a painted backdrop to their stories, rather than as an integral element of their storytelling. As DEs, we can help them make the setting come to life. If we think of Wuthering Heights, we think of the Yorkshire moors. When we think of Moby Dick, it’s a whaler on the…

A lot of editors ask me how to get started in freelance editing for publishers (so many that I actually started a class to show you how to get editorial work from book publishers and packagers). Other than having the skill to do the work, the most important element in successfully freelancing for publishers is…

Many freelance editors work for indie authors, but some of us also work with (or only work with) publishers. Occasionally I get an email from a freelance editor who wants to know if you actually can make a living freelancing for publishers. Here’s an excerpt from a recent one: “I’m finding it really, really hard…

I’m frequently asked for help by editors trying to get established as freelancers. Not surprisingly, many people want to know how to get editorial projects from publishers, as obviously this could be a good source of ongoing work. So when I received the following question, at first I thought of it as a “how to…

Developmental editing is the art of looking at a manuscript to identify big-picture concerns. For nonfiction, this would include helping an author make a clear argument; showing an author how to reorganize disorganized material; pointing out where they need to support the points they make with data, examples, and/or case histories; making sure terms are…

I’m Katherine Kirk, and I proofread, copyedit and line edit fiction and tabletop role-playing game content (like fanzines, game modules, and kickstarter copy). I started editing at the beginning of the pandemic, and I threw myself into learning as much as I could, as fast as I could, so I could build it into something…

Amy Acosta is a professional reader, writer, and editor of fiction who specializes in Adult and YA queer romance. In the pursuit of craft knowledge, they completed a Writing Popular Fiction MFA with a focus on YA Lit, and later became a member of the Editorial Freelancers Association, volunteering with their Diversity Initiative. While wrangling…