The Concierge (Blog)
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The Skills Freelance Editors Need
If you’re interested in learning how to become a freelance book editor, you’re probably wondering what kind of person thrives in the environment—what kind of skills freelance editors need. Training for Fiction Editors First, you have to have training (and that’s where Club Ed comes in). Without a specific understanding of editing methodology – whether…
New Editor Success – Lee Hornbrook
When you’re a newer editor, success – that is, booking clients regularly enough to pay your bills – can feel elusive. And when people who’ve been working as editors for twenty years give advice, it can feel as if their gems of wisdom aren’t especially pertinent to the current year. So, I asked some students…
Setting expectations with publisher/packager clients
Many freelance editors are interested in getting editorial work from book publishers and packagers, and often they’re so focused on landing the client that they don’t think about setting expectations for their work. Then the first project is assigned, and they have less time than they normally have with indie authors, they’re asked to sit…
Five Tips for Freelancing for Publishers
A lot of editors ask me how to get started in freelance editing for publishers (so many that I actually started a class to show you how to get editorial work from book publishers and packagers). Other than having the skill to do the work, the most important element in successfully freelancing for publishers is…
Line Editing for Parallelism
Line editing for parallelism sometimes requires being a line editor detective—solving the sentence-level issues to take a manuscript to the next level. Editing Detective: Line Editing for Parallelism As a line editor, sometimes the problems I catch are obvious (“Roy laghed at the joke”) but sometimes they’re not. Sometimes being a line editor is a…
Line Editing for Filter Words
Line editing for filter words is a skill to master for line editors. Tips on Line Editing for Filter Words Filter words in fiction are words that get in the way of the reader experiencing the moment. These often relate to senses: “I saw John get out of the car” instead of “John got out…
The problem with unasked-for editing
Getting work as a freelance editor is always a challenge, and my colleagues sometimes see an opportunity when a local business or other organization publishes a newsletter or blog post with errors. They ask me, “I’m thinking about pointing out the errors and offering my editorial services for pay. What do you think?” I think…
How Do I Get My First Editing Client?
I’m frequently asked, “How do I get my first client?” This is one of those questions that can take three hundred pages to answer. But I did want to provide an overview answer to this question. First, I want to distinguish between a beginning editor who has no idea what they’re doing and needs to…
The Missing Element: Conflict
When I encounter a manuscript with a sagging middle, the very first thing I turn to is the conflict. Is there a clear conflict in the ms, and is it of sufficient weight to support a full story? Conflict drives narrative. Without it, we often have a lot of splashing around that makes everyone wet…