The Business of Storytelling
The Business of Storytelling Book Release
Newly released book The Business of Storytelling will help editors and writers expand their resources to bring in other streams of income.
If you’ve been in love with stories for a while, you’ve probably thought about making them the center of your working life. But if you’re also a realist, you know how unlikely it is to make a living from the stories you tell. And since you like to eat (or so I assume), you may have set that dream aside.
But I want you to take that dream off the shelf. You can make a living from your knowledge of writing—it’s just probably not in exactly the way you think.
The Business of Storytelling explores how to create a profitable writing-editing career, whether you’re a new graduate just entering the world of work, a midcareer professional looking to transition to Act 2, or a retiree looking for an income stream.
Veteran book author and editor Jennifer Lawler is your guide on this journey. For more than twenty years, she’s made a living as a writer-editor – with enough time left over to pursue her creative work.
Get your copy of The Business of Storytelling here.
Tips for Editors & Writers
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Helping Authors Strengthen Story Settings
The setting of a novel consists of multiple elements, big and small, that nest inside each other like those little Russian dolls. We might show this hierarchy of settings like so: If you think about it, the micro setting of “the living room of 601 San Mateo Road Apartment 16” implies the existence of all…
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World-building Without Info-Dumping
World-building is often seen as the province of science fiction and fantasy writers who have to convey new-to-us settings and cultures, and occasionally by historical writers who have to convey the feel of an era that a reader may not know much about. But every story takes place somewhere. Even stories set in a contemporary…
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The Connection Between Character and Setting
Authors have a tendency to prefer focusing on character and/or plot at the expense of setting/world-building. (The exception is some SFF writers, who focus on setting and forget about plot and character.) So as editors we will often call that out and say something like, “Add a little description here. Otherwise it’s like Miles and…
