The Business of Storytelling
The Business of Storytelling Book Release
Newly released book The Business of Storytelling will help editors and writers expand their resources to bring in other streams of income.
If you’ve been in love with stories for a while, you’ve probably thought about making them the center of your working life. But if you’re also a realist, you know how unlikely it is to make a living from the stories you tell. And since you like to eat (or so I assume), you may have set that dream aside.
But I want you to take that dream off the shelf. You can make a living from your knowledge of writing—it’s just probably not in exactly the way you think.
The Business of Storytelling explores how to create a profitable writing-editing career, whether you’re a new graduate just entering the world of work, a midcareer professional looking to transition to Act 2, or a retiree looking for an income stream.
Veteran book author and editor Jennifer Lawler is your guide on this journey. For more than twenty years, she’s made a living as a writer-editor – with enough time left over to pursue her creative work.
Get your copy of The Business of Storytelling here.
Tips for Editors & Writers
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Effective Scene Construction
A common structural problem you’ll encounter in fiction development is ineffective scene construction: A good scene includes the meat of a plot event – whether that event is an emotional discussion over coffee, a decision to take a certain action, or a foot chase across town – but not a whole lot more. Problems with…
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How to Read Like an Editor
Book development editors don’t read books the way readers do. To sharpen your developmental editing skills, you need to learn to read like an editor does (instead of the way a reader does). When you’re a reader, you enter the author’s world. You willingly suspend your disbelief in order to experience this world. That doesn’t…
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Story Editing as a Second Career
When I teach developmental editing classes, I get a lot of students transitioning from other careers. They’re often lawyers, social workers, and teachers – though I’ve also taught actors, accountants, and engineers, among others. What they have in common is that they love stories and want to explore whether book editing (story editing/developmental editing) is…
