The Secret to Success in Three Not-So-Easy Steps

Editors who are just starting out or who are moving in new directions usually have an idea in mind of the work they want to do. Often this starts out as a very broad concept: they want to help novelists write better stories. Then they realize this is too broad – where do you find…

For editors interested in getting freelance work from book publishers and packagers, a crucial resource is your colleagues. I don’t mean you should pester random acquaintances to ask their publisher clients to hire you. I do mean you should: Ask what they did to land their first publisher/packager client. While a freelance editor is probably…

Freelance editors often focus on what we might call indirect marketing and inbound marketing – that is, letting people know about their work through social media, blog posts, SEO, networking, and similar activities. Since freelance editors rarely have a marketing background, these approaches feel appropriate and doable. And that’s fine as far as it goes!…

For problems that recur throughout a series of paragraphs, a scene, a chapter, or an entire ms, developmental editors will sometimes use a shortcut: “You do a lot of info-dumping throughout; I recommend cutting it back.” The problem with this approach is that if the author could identify where the info-dumping is occurring, they wouldn’t…

One of the first things that acquisitions editors and literary agents learn in their jobs is to use the query letter to evaluate a manuscript. AEs and lit agents are looking for cues that a project is or isn’t right for them. In my career, I’ve worked as both an AE and a lit agent….

Amy Acosta is a professional reader, writer, and editor of fiction who specializes in Adult and YA queer romance. In the pursuit of craft knowledge, they completed a Writing Popular Fiction MFA with a focus on YA Lit, and later became a member of the Editorial Freelancers Association, volunteering with their Diversity Initiative. While wrangling…