I’ve worked with a number of book publisher and book packager clients over the years and I’ve found a few basic rules help ensure that I complete each project satisfactorily. You may find them helpful, too. #1. Understand your role. If an author has asked whether the plot entertains you and you tell them they…
As we learn the craft, we go through stages of learning how to edit—I’ve decided there are four stages. When you’re first learning how to edit, it’s easy to feel overwhelmed by the learning curve and to wonder when it would be realistic to start charging for your services. The answer is at Stage #3….
Conflict drives narrative, as I don’t need to tell you. But a problem with the conflict is probably the number one issue I see in the manuscripts I edit. Yet it can be difficult to identify conflict problems. Outside of the most formulaic of approaches, we don’t have a lot of rules about how the…
Recently a newsletter subscriber emailed me and said, “I would have taken this class, except you made a mistake in the course description.” I sent a polite email in response and immediately unsubscribed her from my email list. It sounds like I can’t take criticism, doesn’t it? But that’s not the reason I unsubscribed her….
Developmental editing is sometimes called content editing, substantive editing, or story editing. The focus is on the big picture, not on sentence-level concerns although we may make sentence-level edits to address the big-picture concerns. For fiction, a developmental editor looks for problems in plot, including implausible plot events and timeline errors; character development, including the…
