You might be a copy editor if . . .
Our upcoming Beginning Copyediting for Fiction class will educate anyone wanting to fix the errors seen on a daily basis in the real world!
Over the past week or so, I’ve caught the following typos and grammatical awkwardness in major news media:
USA Today: “publically released”
USA Today: “could cause driver’s to crash”
USA Today: “exasperating the problem” (should be “exacerbating the problem”)
Yahoo Entertainment: “Affleck has three children with whom Lopez has become the stepmother to.”
People: “A college student is dead after falling to his death.”
CNN: “Crossed first paths”
ABC News: “preventing recruiters from meting with students”
If you, like me, have a tendency to spot errors like this, then you, too, are either a copy editor or could be one.
Tips for Editors & Writers
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Focusing on What You Can Control
Every now and then a topic comes up that gets a fair amount of discussion in freelance editor groups. One of these is the question of authors thanking their editors in the acknowledgments section of their book. And there are a lot of editors out there trying to convince indie authors that they have to
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How Risky Is Freelancing?
In the interest of full disclosure, I have to point out that I’m the kind of person who has an optimistic view of the nature of risk, which is why I’m not a financial advisor and you wouldn’t want me to be. But I also think we are too certain that some actions are “safe”
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How to Get Experience in Order to Freelance Edit for Publishers
I’ll get to the sad truth right away: to be considered for freelance editing work for traditional publishing companies and related organizations (hybrid publishers, book packagers), you need to have experience. And so the age-old conundrum rears its head: how do you get experience if you need experience to get experience? Three things can help
